| 50-69 | Michelangelo Antonioni | 1 | 5 | 100% | 0% | 20% | 20% | 81 | 120.40 |
| 50-69 | Stan Brakhage | 1 | 5 | 80% | 0% | 20% | 20% | 40 | 82.50 |
| 50-69 | Written on the Wind | 1 | 5 | 40% | 0% | 0% | 40% | 90 | 90.50 |
| 50-69 | La Jetée | 1 | 5 | 100% | 0% | 60% | 0% | 50 | 65.00 |
| 50-69 | Toshiro Mifune | 1 | 5 | 100% | 0% | 40% | 20% | 34 | 85.20 |
| 50-69 | Edgar Allan Poe | 1 | 5 | 100% | 0% | 40% | 0% | 34 | 84.40 |
| 50-69 | Cahiers du Cinéma | 1 | 5 | 100% | 0% | 0% | 60% | 120 | 133.20 |
| 50-69 | Truman Capote | 1 | 5 | 100% | 0% | 20% | 20% | 57 | 108.80 |
| 50-69 | Polish resistance | 1 | 5 | 100% | 0% | 0% | 60% | 100 | 139.00 |
| 50-69 | Carl Theodor Dreyer | 1 | 5 | 100% | 0% | 0% | 20% | 95 | 120.60 |
| 50-69 | Luchino Visconti | 1 | 5 | 100% | 0% | 0% | 0% | 99 | 118.00 |
| 50-69 | Robert Bresson | 1 | 5 | 100% | 0% | 20% | 0% | 34 | 89.80 |
| 50-69 | My Night at Maud’s | 1 | 5 | 80% | 0% | 40% | 40% | 59 | 118.25 |
| 50-69 | Ugetsu | 1 | 5 | 80% | 0% | 0% | 40% | 132 | 137.25 |
| 50-69 | Bonnie and Clyde | 1 | 5 | 100% | 0% | 0% | 0% | 87 | 121.40 |
| 50-69 | Apu | 1 | 5 | 100% | 0% | 40% | 20% | 45 | 72.60 |
| 50-69 | Elizabeth Taylor AND Richard Burton | 1 | 5 | 80% | 0% | 40% | 60% | 82 | 122.00 |
| 50-69 | Charade | 1 | 5 | 80% | 0% | 60% | 20% | 47 | 89.75 |
| 50-69 | Journey to Italy | 1 | 5 | 80% | 0% | 0% | 40% | 108 | 124.75 |
| 50-69 | the bell from Andrei Rublev | 1 | 5 | 80% | 0% | 20% | 0% | 69 | 83.75 |
| 50-69 | The dream sequence from Vertigo | 1 | 5 | 100% | 0% | 20% | 40% | 43 | 106.00 |
| 50-69 | The Cranes are Flying | 1 | 5 | 80% | 0% | 20% | 20% | 52 | 122.00 |
| 50-69 | Czechoslovak New Wave | 1 | 5 | 100% | 0% | 40% | 0% | 63 | 102.00 |
| 50-69 | Vittorio De Sica | 1 | 5 | 100% | 0% | 20% | 40% | 83 | 120.20 |
| 50-69 | Marlon Brando | 1 | 5 | 100% | 0% | 0% | 20% | 75 | 122.80 |
| 50-69 | Jacques Demy | 1 | 5 | 80% | 0% | 0% | 0% | 84 | 93.25 |
| 50-69 | Hindi | 1 | 5 | 100% | 0% | 20% | 40% | 76 | 115.40 |
| 50-69 | Giulietta Masina | 1 | 5 | 60% | 0% | 40% | 60% | 30 | 73.67 |
| 50-69 | Egypt | 1 | 5 | 100% | 0% | 20% | 0% | 75 | 116.40 |
| 50-69 | Monsieur Hulot | 1 | 5 | 80% | 0% | 20% | 20% | 45 | 103.75 |
| 50-69 | Susan Sontag | 1 | 5 | 80% | 0% | 20% | 20% | 39 | 117.25 |
| 50-69 | Black Girl | 1 | 5 | 100% | 0% | 40% | 0% | 92 | 129.40 |
| 70-89 | The Vanishing | 1 | 5 | 80% | 0% | 80% | 0% | 22 | 36.00 |
| 70-89 | the videotapes from sex, lies, and videotape | 1 | 5 | 100% | 0% | 0% | 0% | 100 | 124.60 |
| 70-89 | Touki Bouki | 1 | 5 | 100% | 0% | 20% | 0% | 73 | 113.40 |
| 70-89 | The Discreet Charm of the Bourgeoisie | 1 | 5 | 100% | 0% | 0% | 0% | 84 | 112.60 |
| 70-89 | After Hours | 1 | 5 | 100% | 0% | 60% | 0% | 62 | 88.80 |
| 70-89 | The Conformist | 1 | 5 | 80% | 0% | 0% | 60% | 99 | 125.75 |
| 70-89 | Hanna Schygulla | 1 | 5 | 40% | 0% | 0% | 20% | 113 | 117.50 |
| 70-89 | A City of Sadness | 1 | 5 | 60% | 0% | 40% | 40% | 23 | 47.00 |
| 70-89 | Je, tu, il, elle | 1 | 5 | 60% | 0% | 20% | 40% | 78 | 123.33 |
| 70-89 | Dressed to Kill | 1 | 5 | 100% | 0% | 40% | 20% | 72 | 113.80 |
| 70-89 | Spike Lee | 1 | 5 | 100% | 0% | 0% | 0% | 104 | 125.80 |
| 70-89 | The French Connection | 1 | 5 | 100% | 0% | 20% | 40% | 20 | 109.60 |
| 70-89 | Principal photography for Apocalypse Now | 1 | 5 | 100% | 0% | 20% | 40% | 75 | 117.60 |
| 70-89 | The Holy Mountain | 1 | 5 | 100% | 0% | 60% | 0% | 51 | 81.60 |
| 70-89 | giallo | 1 | 5 | 100% | 0% | 20% | 0% | 35 | 114.20 |
| 70-89 | Black Christmas | 1 | 5 | 80% | 0% | 0% | 60% | 142 | 153.00 |
| 70-89 | Rick Deckard | 1 | 5 | 100% | 0% | 40% | 0% | 28 | 70.00 |
| 70-89 | House | 1 | 5 | 80% | 0% | 40% | 20% | 64 | 100.75 |
| 70-89 | Peter Weir | 1 | 5 | 100% | 0% | 20% | 0% | 41 | 114.00 |
| 70-89 | Francois Truffaut | 1 | 5 | 100% | 0% | 0% | 20% | 99 | 133.00 |
| 70-89 | Wendy Carlos | 1 | 5 | 80% | 0% | 40% | 0% | 55 | 70.00 |
| 70-89 | Nicolas Roeg | 1 | 5 | 80% | 0% | 40% | 20% | 52 | 83.75 |
| 70-89 | The Spirit of the Beehive | 1 | 5 | 80% | 0% | 20% | 20% | 50 | 93.00 |
| 70-89 | motorcycles | 1 | 5 | 100% | 0% | 40% | 0% | 90 | 118.20 |
| 70-89 | Elem Klimov AND Larisa Shepitko | 1 | 5 | 100% | 0% | 0% | 20% | 133 | 152.60 |
| 70-89 | Women on the Verge of a Nervous Breakdown | 1 | 5 | 80% | 0% | 0% | 20% | 117 | 130.75 |
| 70-89 | Empire of the Sun | 1 | 5 | 80% | 0% | 0% | 40% | 124 | 133.50 |
| 70-89 | Volker Schlöndorff | 1 | 5 | 60% | 0% | 0% | 40% | 92 | 115.33 |
| 70-89 | Alan J. Pakula | 1 | 5 | 60% | 0% | 20% | 60% | 30 | 117.33 |
| 70-89 | Sissy Spacek | 1 | 5 | 80% | 0% | 40% | 40% | 46 | 93.25 |
| 70-89 | Andrzej Żuławski | 1 | 5 | 80% | 0% | 0% | 20% | 86 | 121.00 |
| 70-89 | Subtitles | 1 | 5 | 100% | 0% | 0% | 20% | 72 | 89.40 |
| 90-10 | Miami | 1 | 5 | 100% | 0% | 0% | 0% | 60 | 104.20 |
| 90-10 | China | 1 | 5 | 80% | 0% | 0% | 60% | 126 | 134.00 |
| 90-10 | Edith Piaf | 1 | 5 | 100% | 0% | 40% | 20% | 51 | 79.40 |
| 90-10 | John C. Reilly | 1 | 5 | 40% | 0% | 0% | 80% | 102 | 105.00 |
| 90-10 | Dogville | 1 | 5 | 100% | 0% | 20% | 0% | 37 | 83.00 |
| 90-10 | Frank | 1 | 5 | 100% | 0% | 40% | 40% | 25 | 107.20 |
| 90-10 | Lynne Ramsay | 1 | 5 | 100% | 0% | 0% | 0% | 97 | 131.20 |
| 90-10 | “California Dreamin’” | 1 | 5 | 100% | 0% | 60% | 0% | 37 | 73.20 |
| 90-10 | Hungary | 1 | 5 | 100% | 0% | 20% | 40% | 39 | 109.60 |
| 90-10 | Gael García Bernal | 1 | 5 | 100% | 0% | 0% | 0% | 81 | 91.40 |
| 90-10 | Adrienne Shelly | 1 | 5 | 40% | 0% | 20% | 40% | 18 | 59.50 |
| 90-10 | Toronto | 1 | 5 | 100% | 0% | 80% | 20% | 56 | 86.60 |
| 90-10 | Kathryn Bigelow | 1 | 5 | 100% | 0% | 40% | 0% | 27 | 104.40 |
| 90-10 | The Piano Teacher | 1 | 5 | 100% | 0% | 80% | 0% | 64 | 69.20 |
| 90-10 | Mohsen Makhmalbaf | 1 | 5 | 60% | 0% | 40% | 20% | 44 | 63.33 |
| 90-10 | Jonas Mekas | 1 | 5 | 60% | 0% | 40% | 20% | 62 | 99.33 |
| 90-10 | The Spanish Civil War | 1 | 5 | 100% | 0% | 60% | 0% | 52 | 82.40 |
| 90-10 | Elephant | 1 | 5 | 100% | 0% | 60% | 20% | 46 | 71.20 |
| 90-10 | The Virgin Suicides | 1 | 5 | 80% | 0% | 20% | 20% | 63 | 113.25 |
| 90-10 | Russian Ark | 1 | 5 | 100% | 0% | 0% | 0% | 88 | 107.80 |
| 90-10 | Krzysztof Kieślowski | 1 | 5 | 80% | 0% | 60% | 20% | 28 | 48.25 |
| 90-10 | Polytechnique | 1 | 5 | 80% | 0% | 0% | 20% | 98 | 129.50 |
| 90-10 | shot on digital | 1 | 5 | 80% | 0% | 0% | 60% | 78 | 120.25 |
| 90-10 | The Secret in Their Eyes | 1 | 5 | 60% | 0% | 20% | 20% | 75 | 104.00 |
| 90-10 | Cure | 1 | 5 | 100% | 0% | 20% | 0% | 31 | 107.40 |
| 90-10 | Dogme 95 | 1 | 5 | 100% | 0% | 80% | 0% | 34 | 56.00 |
| 90-10 | Clarice Starling | 1 | 5 | 100% | 0% | 80% | 0% | 46 | 60.20 |
| 90-10 | Tenenbaum family | 1 | 5 | 100% | 0% | 80% | 0% | 44 | 70.80 |
| 90-10 | La Cienaga | 1 | 5 | 80% | 0% | 60% | 0% | 15 | 50.25 |
| 90-10 | the ending scene from Beau travail | 1 | 5 | 80% | 0% | 60% | 0% | 49 | 65.50 |
| 90-10 | Mike Leigh | 1 | 5 | 80% | 0% | 60% | 0% | 29 | 62.75 |
| 90-10 | Minnesota | 1 | 5 | 80% | 0% | 20% | 0% | 60 | 107.25 |
| Contemporary | a movie theater | 1 | 5 | 80% | 0% | 20% | 0% | 92 | 139.25 |
| Contemporary | Kristen Stewart | 1 | 5 | 100% | 0% | 20% | 40% | 53 | 135.00 |
| Contemporary | Jean-Marc Vallée | 1 | 5 | 40% | 0% | 0% | 40% | 114 | 131.50 |
| Contemporary | Force Majeure | 1 | 5 | 100% | 0% | 0% | 0% | 97 | 133.20 |
| Contemporary | The Roadhouse | 1 | 5 | 80% | 0% | 0% | 20% | 101 | 117.50 |
| Contemporary | A Separation | 1 | 5 | 100% | 0% | 0% | 20% | 65 | 87.00 |
| Contemporary | Sarah Polley | 1 | 5 | 80% | 0% | 0% | 0% | 78 | 86.50 |
| Contemporary | France | 1 | 5 | 100% | 0% | 0% | 0% | 115 | 117.20 |
| Contemporary | Joyland | 1 | 5 | 40% | 0% | 20% | 0% | 68 | 86.50 |
| Contemporary | Kogonada | 1 | 5 | 100% | 0% | 20% | 0% | 72 | 76.40 |
| Contemporary | The Philippines | 1 | 5 | 100% | 0% | 40% | 0% | 74 | 98.60 |
| Contemporary | Fallen Leaves | 1 | 5 | 100% | 0% | 20% | 0% | 52 | 98.00 |
| Contemporary | conductor | 1 | 5 | 100% | 0% | 60% | 20% | 84 | 99.40 |
| Contemporary | Wim Wenders | 1 | 5 | 100% | 0% | 0% | 40% | 98 | 125.40 |
| Contemporary | Diop | 1 | 5 | 100% | 0% | 80% | 0% | 18 | 44.80 |
| Contemporary | Manchester by the Sea | 1 | 5 | 100% | 0% | 0% | 20% | 91 | 100.40 |
| Contemporary | Hospitals | 1 | 5 | 100% | 0% | 20% | 40% | 64 | 110.60 |
| Contemporary | Iceland | 1 | 5 | 100% | 0% | 80% | 0% | 19 | 81.40 |
| Contemporary | John le Carré | 1 | 5 | 100% | 0% | 60% | 0% | 62 | 80.40 |
| Contemporary | Decision to Leave | 1 | 5 | 80% | 0% | 20% | 40% | 46 | 128.75 |
| Contemporary | The Neon Demon | 1 | 5 | 80% | 0% | 0% | 60% | 95 | 126.75 |
| Contemporary | Nan Goldin | 1 | 5 | 80% | 0% | 20% | 20% | 58 | 106.75 |
| Contemporary | Italy | 1 | 5 | 80% | 0% | 0% | 40% | 71 | 107.75 |
| Contemporary | Evil Does Not Exist | 1 | 5 | 80% | 0% | 60% | 40% | 55 | 85.50 |
| Early | The Best Years of Our Lives | 1 | 5 | 80% | 0% | 40% | 20% | 63 | 107.00 |
| Early | Jean Renoir | 1 | 5 | 100% | 0% | 0% | 0% | 110 | 114.40 |
| Early | Sunrise: A Song of Two Humans | 1 | 5 | 100% | 0% | 0% | 0% | 120 | 139.60 |
| Early | Maya Deren | 1 | 5 | 100% | 0% | 100% | 0% | 25 | 57.00 |
| Early | Sweden | 1 | 5 | 100% | 0% | 40% | 20% | 47 | 109.40 |
| Early | Peter Lorre | 1 | 5 | 100% | 0% | 20% | 20% | 46 | 87.20 |
| Early | Monkey | 1 | 5 | 100% | 0% | 0% | 20% | 147 | 149.60 |
| Early | the red shoes | 1 | 5 | 100% | 0% | 20% | 0% | 46 | 87.00 |
| Early | Late Spring | 1 | 5 | 80% | 0% | 20% | 20% | 63 | 104.00 |
| Early | Man Ray | 1 | 5 | 80% | 0% | 40% | 40% | 28 | 71.75 |
| Early | Sergei Eisenstein | 1 | 5 | 100% | 0% | 40% | 0% | 14 | 95.40 |
| Early | Rick’s Cafe Americain | 1 | 5 | 100% | 0% | 20% | 0% | 47 | 101.80 |
| Early | Japan | 1 | 5 | 100% | 0% | 0% | 40% | 80 | 121.80 |
| Early | Alice Guy-Blaché | 1 | 5 | 80% | 0% | 0% | 40% | 110 | 117.00 |
| Early | To Be or Not to Be | 1 | 5 | 100% | 0% | 60% | 0% | 32 | 68.20 |
| Early | Meet Me in St. Louis | 1 | 5 | 100% | 0% | 40% | 20% | 28 | 91.60 |
| Early | Double Indemnity | 1 | 5 | 100% | 0% | 40% | 0% | 44 | 78.00 |
| Early | Dziga Vertov | 1 | 5 | 80% | 0% | 20% | 0% | 54 | 73.50 |
| Early | Jean Vigo | 1 | 5 | 100% | 0% | 20% | 40% | 75 | 119.00 |
| Early | Stagecoach | 1 | 5 | 100% | 0% | 40% | 20% | 39 | 105.40 |
| Early | Brief Encounter | 1 | 5 | 100% | 0% | 20% | 20% | 68 | 108.00 |
| Early | G.W. Pabst | 1 | 5 | 100% | 0% | 0% | 0% | 112 | 127.40 |
| Early | It Happened One Night | 1 | 5 | 100% | 0% | 20% | 40% | 33 | 89.40 |
| Early | The gold from The Treasure of the Sierra Madre | 1 | 5 | 100% | 0% | 20% | 0% | 68 | 119.20 |
| Mixed | Perkins family | 1 | 5 | 100% | 0% | 20% | 20% | 34 | 122.00 |
| Mixed | demon | 1 | 5 | 80% | 0% | 40% | 20% | 63 | 112.50 |
| Mixed | tarot cards | 1 | 5 | 100% | 0% | 20% | 20% | 76 | 120.00 |
| Mixed | Christina’s World | 1 | 5 | 100% | 0% | 20% | 20% | 76 | 141.00 |
| Mixed | Armenian | 1 | 5 | 100% | 0% | 20% | 0% | 68 | 87.80 |
| Mixed | conquistadors | 1 | 5 | 100% | 0% | 20% | 20% | 70 | 127.00 |
| Mixed | Buster Keaton AND Charlie Chaplin | 1 | 5 | 100% | 0% | 40% | 20% | 46 | 110.60 |
| Mixed | Song Kang-Ho | 1 | 5 | 80% | 0% | 0% | 0% | 68 | 70.50 |
| Mixed | Dunkirk | 1 | 5 | 100% | 0% | 0% | 40% | 118 | 145.20 |
| Mixed | Venice Film Festival | 1 | 5 | 100% | 0% | 0% | 20% | 102 | 115.00 |
| Mixed | The White Rabbit | 1 | 5 | 80% | 0% | 0% | 40% | 121 | 129.75 |
| Mixed | Mali | 1 | 5 | 100% | 0% | 20% | 40% | 64 | 128.60 |
| Mixed | Connecticut | 1 | 5 | 60% | 0% | 0% | 40% | 126 | 131.33 |
| Mixed | Christian Petzold | 1 | 5 | 80% | 0% | 40% | 20% | 59 | 116.25 |
| Mixed | Sven Nykvist | 1 | 5 | 60% | 0% | 0% | 20% | 81 | 97.00 |
| Mixed | Robert Mitchum | 1 | 5 | 100% | 0% | 0% | 0% | 100 | 112.80 |