1 | 4 | Early | The Best Years of Our Lives | 156 | 10 |
1 | 6 | 90-10 | Miami | 111 | 10 |
1 | 10 | Early | Sunrise: A Song of Two Humans | 120 | 10 |
2 | 3 | 90-10 | Dogville | 75 | 10 |
2 | 4 | Early | Maya Deren | 62 | 15 |
2 | 8 | 90-10 | Frank | 75 | 15 |
2 | 12 | Contemporary | Force Majeure | 155 | 10 |
2 | 19 | 70-89 | A City of Sadness | 95 | 10 |
3 | 6 | Early | Monkey | 147 | 10 |
3 | 7 | 70-89 | Spike Lee | 157 | 10 |
3 | 9 | Mixed | Armenian | 83 | 10 |
3 | 11 | Early | Late Spring | 144 | 10 |
3 | 12 | 70-89 | The French Connection | 121 | 10 |
3 | 18 | Contemporary | France | 118 | 10 |
3 | 20 | 90-10 | Toronto | 56 | 15 |
4 | 1 | 90-10 | Kathryn Bigelow | 156 | 10 |
4 | 6 | Early | Sergei Eisenstein | 126 | 10 |
4 | 9 | Contemporary | The Philippines | 105 | 10 |
4 | 11 | 70-89 | The Holy Mountain | 53 | 15 |
4 | 15 | 90-10 | Mohsen Makhmalbaf | 101 | 10 |
4 | 17 | Mixed | Dunkirk | 158 | 10 |
4 | 20 | 70-89 | Black Christmas | 142 | 10 |
5 | 2 | 70-89 | Rick Deckard | 77 | 10 |
5 | 5 | Contemporary | conductor | 91 | -5 |
5 | 12 | Early | Japan | 113 | 10 |
5 | 14 | 90-10 | Elephant | 62 | -5 |
5 | 15 | Early | Alice Guy-Blaché | 110 | 10 |
5 | 17 | 90-10 | The Virgin Suicides | 63 | 15 |
5 | 18 | 50-69 | the bell from Andrei Rublev | 112 | 10 |
5 | 20 | 90-10 | Russian Ark | 88 | 10 |
6 | 5 | 70-89 | Wendy Carlos | 94 | 10 |
6 | 12 | Contemporary | Iceland | 94 | 15 |
6 | 14 | 90-10 | Polytechnique | 142 | 10 |
6 | 16 | Mixed | Mali | 145 | 10 |
6 | 17 | 90-10 | shot on digital | 78 | 10 |
6 | 18 | 70-89 | motorcycles | 143 | 10 |
7 | 2 | Early | Jean Vigo | 75 | 15 |
7 | 3 | 70-89 | Elem Klimov AND Larisa Shepitko | 152 | 10 |
7 | 4 | Early | Stagecoach | 157 | 10 |
7 | 6 | 90-10 | Cure | 148 | 10 |
7 | 12 | Contemporary | The Neon Demon | 125 | 10 |
7 | 14 | Mixed | Connecticut | 126 | 10 |
7 | 17 | Early | Brief Encounter | 98 | 10 |
8 | 2 | 50-69 | Egypt | 112 | 10 |
8 | 14 | Contemporary | Italy | 87 | 10 |
8 | 17 | 70-89 | Subtitles | 87 | 10 |