| 1 | 1 | Contemporary | a movie theater | 1 | 100% | 0% | 0% | 174 | 174.00 |
| 1 | 2 | Contemporary | Kristen Stewart | 1 | 100% | 100% | 0% | 53 | 53.00 |
| 1 | 3 | 50-69 | Michelangelo Antonioni | 1 | 100% | 0% | 0% | 116 | 116.00 |
| 1 | 4 | Early | The Best Years of Our Lives | 1 | 100% | 0% | 0% | 156 | 156.00 |
| 1 | 5 | 50-69 | Stan Brakhage | 1 | 100% | 0% | 0% | 92 | 92.00 |
| 1 | 6 | 90-10 | Miami | 1 | 100% | 0% | 0% | 111 | 111.00 |
| 1 | 7 | Mixed | Perkins family | 1 | 100% | 0% | 0% | 154 | 154.00 |
| 1 | 8 | Early | Jean Renoir | 1 | 100% | 0% | 0% | 117 | 117.00 |
| 1 | 9 | 90-10 | China | 1 | 100% | 0% | 0% | 134 | 134.00 |
| 1 | 10 | Early | Sunrise: A Song of Two Humans | 1 | 100% | 0% | 0% | 120 | 120.00 |
| 1 | 11 | 70-89 | The Vanishing | 1 | 0% | 0% | 0% | | |
| 1 | 12 | 90-10 | Edith Piaf | 1 | 100% | 100% | 0% | 55 | 55.00 |
| 1 | 13 | 90-10 | John C. Reilly | 1 | 100% | 0% | 0% | 108 | 108.00 |
| 1 | 14 | 70-89 | the videotapes from sex, lies, and videotape | 1 | 100% | 0% | 0% | 124 | 124.00 |
| 1 | 15 | 50-69 | Written on the Wind | 1 | 0% | 0% | 0% | | |
| 1 | 16 | 70-89 | Touki Bouki | 1 | 100% | 0% | 0% | 107 | 107.00 |
| 1 | 17 | Mixed | demon | 1 | 100% | 0% | 0% | 174 | 174.00 |
| 1 | 18 | 70-89 | The Discreet Charm of the Bourgeoisie | 1 | 100% | 0% | 0% | 123 | 123.00 |
| 1 | 19 | 50-69 | La Jetée | 1 | 100% | 100% | 0% | 50 | 50.00 |
| 1 | 20 | Contemporary | Jean-Marc Vallée | 1 | 0% | 0% | 0% | | |
| 2 | 1 | Mixed | tarot cards | 1 | 100% | 0% | 0% | 121 | 121.00 |
| 2 | 2 | 50-69 | Toshiro Mifune | 1 | 100% | 0% | 0% | 138 | 138.00 |
| 2 | 3 | 90-10 | Dogville | 1 | 100% | 0% | 0% | 75 | 75.00 |
| 2 | 4 | Early | Maya Deren | 1 | 100% | 100% | 0% | 62 | 62.00 |
| 2 | 5 | 50-69 | Edgar Allan Poe | 1 | 100% | 0% | 0% | 84 | 84.00 |
| 2 | 6 | Early | Sweden | 1 | 100% | 100% | 0% | 47 | 47.00 |
| 2 | 7 | 70-89 | After Hours | 1 | 100% | 0% | 0% | 171 | 171.00 |
| 2 | 8 | 90-10 | Frank | 1 | 100% | 100% | 0% | 75 | 75.00 |
| 2 | 9 | 70-89 | The Conformist | 1 | 100% | 0% | 0% | 125 | 125.00 |
| 2 | 10 | 90-10 | Lynne Ramsay | 1 | 100% | 0% | 0% | 140 | 140.00 |
| 2 | 11 | Early | Peter Lorre | 1 | 100% | 0% | 0% | 80 | 80.00 |
| 2 | 12 | Contemporary | Force Majeure | 1 | 100% | 0% | 0% | 155 | 155.00 |
| 2 | 13 | 70-89 | Hanna Schygulla | 1 | 0% | 0% | 0% | | |
| 2 | 14 | Contemporary | The Roadhouse | 1 | 100% | 0% | 0% | 101 | 101.00 |
| 2 | 15 | 90-10 | “California Dreamin’” | 1 | 100% | 0% | 0% | 120 | 120.00 |
| 2 | 16 | 50-69 | Cahiers du Cinéma | 1 | 100% | 0% | 0% | 132 | 132.00 |
| 2 | 17 | Contemporary | A Separation | 1 | 100% | 0% | 0% | 72 | 72.00 |
| 2 | 18 | 50-69 | Truman Capote | 1 | 100% | 0% | 0% | 94 | 94.00 |
| 2 | 19 | 70-89 | A City of Sadness | 1 | 100% | 0% | 0% | 95 | 95.00 |
| 2 | 20 | Mixed | Christina’s World | 1 | 100% | 100% | 0% | 76 | 76.00 |
| 3 | 1 | 90-10 | Hungary | 1 | 100% | 0% | 0% | 114 | 114.00 |
| 3 | 2 | 70-89 | Je, tu, il, elle | 1 | 100% | 0% | 0% | 151 | 151.00 |
| 3 | 3 | 90-10 | Gael García Bernal | 1 | 100% | 0% | 0% | 95 | 95.00 |
| 3 | 4 | Contemporary | Sarah Polley | 1 | 100% | 0% | 0% | 93 | 93.00 |
| 3 | 5 | 70-89 | Dressed to Kill | 1 | 100% | 0% | 0% | 97 | 97.00 |
| 3 | 6 | Early | Monkey | 1 | 100% | 0% | 0% | 147 | 147.00 |
| 3 | 7 | 70-89 | Spike Lee | 1 | 100% | 0% | 0% | 157 | 157.00 |
| 3 | 8 | 50-69 | Polish resistance | 1 | 100% | 0% | 0% | 145 | 145.00 |
| 3 | 9 | Mixed | Armenian | 1 | 100% | 0% | 0% | 83 | 83.00 |
| 3 | 10 | Early | the red shoes | 1 | 100% | 0% | 0% | 91 | 91.00 |
| 3 | 11 | Early | Late Spring | 1 | 100% | 0% | 0% | 144 | 144.00 |
| 3 | 12 | 70-89 | The French Connection | 1 | 100% | 0% | 0% | 121 | 121.00 |
| 3 | 13 | Mixed | conquistadors | 1 | 100% | 0% | 0% | 123 | 123.00 |
| 3 | 14 | 50-69 | Carl Theodor Dreyer | 1 | 100% | 0% | 0% | 128 | 128.00 |
| 3 | 15 | 90-10 | Adrienne Shelly | 1 | 0% | 0% | 0% | | |
| 3 | 16 | 50-69 | Luchino Visconti | 1 | 100% | 0% | 0% | 125 | 125.00 |
| 3 | 17 | Mixed | Buster Keaton AND Charlie Chaplin | 1 | 100% | 100% | 0% | 46 | 46.00 |
| 3 | 18 | Contemporary | France | 1 | 100% | 0% | 0% | 118 | 118.00 |
| 3 | 19 | Contemporary | Joyland | 1 | 0% | 0% | 0% | | |
| 3 | 20 | 90-10 | Toronto | 1 | 100% | 100% | 0% | 56 | 56.00 |
| 4 | 1 | 90-10 | Kathryn Bigelow | 1 | 100% | 0% | 0% | 156 | 156.00 |
| 4 | 2 | Early | Man Ray | 1 | 100% | 0% | 0% | 84 | 84.00 |
| 4 | 3 | 90-10 | The Piano Teacher | 1 | 100% | 100% | 0% | 65 | 65.00 |
| 4 | 4 | 50-69 | Robert Bresson | 1 | 100% | 0% | 0% | 85 | 85.00 |
| 4 | 5 | Contemporary | Kogonada | 1 | 100% | 0% | 0% | 77 | 77.00 |
| 4 | 6 | Early | Sergei Eisenstein | 1 | 100% | 0% | 0% | 126 | 126.00 |
| 4 | 7 | 70-89 | Principal photography for Apocalypse Now | 1 | 100% | 0% | 0% | 88 | 88.00 |
| 4 | 8 | 50-69 | My Night at Maud’s | 1 | 100% | 100% | 0% | 77 | 77.00 |
| 4 | 9 | Contemporary | The Philippines | 1 | 100% | 0% | 0% | 105 | 105.00 |
| 4 | 10 | 50-69 | Ugetsu | 1 | 100% | 0% | 0% | 134 | 134.00 |
| 4 | 11 | 70-89 | The Holy Mountain | 1 | 100% | 100% | 0% | 53 | 53.00 |
| 4 | 12 | 50-69 | Bonnie and Clyde | 1 | 100% | 0% | 0% | 140 | 140.00 |
| 4 | 13 | 70-89 | giallo | 1 | 100% | 0% | 0% | 110 | 110.00 |
| 4 | 14 | Early | Rick’s Cafe Americain | 1 | 100% | 0% | 0% | 115 | 115.00 |
| 4 | 15 | 90-10 | Mohsen Makhmalbaf | 1 | 100% | 0% | 0% | 101 | 101.00 |
| 4 | 16 | Mixed | Song Kang-Ho | 1 | 100% | 0% | 0% | 72 | 72.00 |
| 4 | 17 | Mixed | Dunkirk | 1 | 100% | 0% | 0% | 158 | 158.00 |
| 4 | 18 | 90-10 | Jonas Mekas | 1 | 100% | 100% | 0% | 62 | 62.00 |
| 4 | 19 | Contemporary | Fallen Leaves | 1 | 100% | 0% | 0% | 102 | 102.00 |
| 4 | 20 | 70-89 | Black Christmas | 1 | 100% | 0% | 0% | 142 | 142.00 |
| 5 | 1 | Mixed | Venice Film Festival | 1 | 100% | 0% | 0% | 113 | 113.00 |
| 5 | 2 | 70-89 | Rick Deckard | 1 | 100% | 0% | 0% | 77 | 77.00 |
| 5 | 3 | 70-89 | House | 1 | 100% | 100% | 0% | 91 | 91.00 |
| 5 | 4 | 50-69 | Apu | 1 | 100% | 0% | 100% | 81 | 81.00 |
| 5 | 5 | Contemporary | conductor | 1 | 100% | 100% | 100% | 91 | 91.00 |
| 5 | 6 | 70-89 | Peter Weir | 1 | 100% | 0% | 0% | 112 | 112.00 |
| 5 | 7 | 50-69 | Elizabeth Taylor AND Richard Burton | 1 | 100% | 100% | 0% | 82 | 82.00 |
| 5 | 8 | Contemporary | Wim Wenders | 1 | 100% | 0% | 0% | 108 | 108.00 |
| 5 | 9 | 50-69 | Charade | 1 | 0% | 0% | 100% | | |
| 5 | 10 | 50-69 | Journey to Italy | 1 | 100% | 0% | 0% | 108 | 108.00 |
| 5 | 11 | 90-10 | The Spanish Civil War | 1 | 100% | 100% | 0% | 52 | 52.00 |
| 5 | 12 | Early | Japan | 1 | 100% | 0% | 0% | 113 | 113.00 |
| 5 | 13 | Contemporary | Diop | 1 | 100% | 100% | 0% | 46 | 46.00 |
| 5 | 14 | 90-10 | Elephant | 1 | 100% | 0% | 100% | 129 | 129.00 |
| 5 | 15 | Early | Alice Guy-Blaché | 1 | 100% | 0% | 0% | 110 | 110.00 |
| 5 | 16 | 70-89 | Francois Truffaut | 1 | 100% | 0% | 100% | 150 | 150.00 |
| 5 | 17 | 90-10 | The Virgin Suicides | 1 | 100% | 100% | 0% | 63 | 63.00 |
| 5 | 18 | 50-69 | the bell from Andrei Rublev | 1 | 100% | 0% | 0% | 112 | 112.00 |
| 5 | 19 | Early | To Be or Not to Be | 1 | 100% | 0% | 0% | 104 | 104.00 |
| 5 | 20 | 90-10 | Russian Ark | 1 | 100% | 0% | 0% | 88 | 88.00 |
| 6 | 1 | Early | Meet Me in St. Louis | 1 | 100% | 0% | 0% | 112 | 112.00 |
| 6 | 2 | 50-69 | The dream sequence from Vertigo | 1 | 100% | 0% | 100% | 111 | 111.00 |
| 6 | 3 | Mixed | The White Rabbit | 1 | 100% | 0% | 0% | 121 | 121.00 |
| 6 | 4 | Early | Double Indemnity | 1 | 100% | 0% | 0% | 104 | 104.00 |
| 6 | 5 | 70-89 | Wendy Carlos | 1 | 100% | 0% | 0% | 94 | 94.00 |
| 6 | 6 | Contemporary | Manchester by the Sea | 1 | 100% | 0% | 0% | 95 | 95.00 |
| 6 | 7 | Contemporary | Hospitals | 1 | 100% | 100% | 0% | 64 | 64.00 |
| 6 | 8 | 50-69 | The Cranes are Flying | 1 | 100% | 0% | 0% | 125 | 125.00 |
| 6 | 9 | Early | Dziga Vertov | 1 | 100% | 0% | 0% | 81 | 81.00 |
| 6 | 10 | 70-89 | Nicolas Roeg | 1 | 100% | 0% | 0% | 102 | 102.00 |
| 6 | 11 | 90-10 | Krzysztof Kieślowski | 1 | 100% | 100% | 0% | 50 | 50.00 |
| 6 | 12 | Contemporary | Iceland | 1 | 100% | 100% | 0% | 94 | 94.00 |
| 6 | 13 | 50-69 | Czechoslovak New Wave | 1 | 100% | 0% | 0% | 94 | 94.00 |
| 6 | 14 | 90-10 | Polytechnique | 1 | 100% | 0% | 0% | 142 | 142.00 |
| 6 | 15 | 70-89 | The Spirit of the Beehive | 1 | 100% | 0% | 0% | 112 | 112.00 |
| 6 | 16 | Mixed | Mali | 1 | 100% | 0% | 100% | 145 | 145.00 |
| 6 | 17 | 90-10 | shot on digital | 1 | 100% | 0% | 0% | 78 | 78.00 |
| 6 | 18 | 70-89 | motorcycles | 1 | 100% | 0% | 0% | 143 | 143.00 |
| 6 | 19 | 90-10 | The Secret in Their Eyes | 1 | 100% | 0% | 0% | 86 | 86.00 |
| 6 | 20 | 50-69 | Vittorio De Sica | 1 | 100% | 0% | 100% | 96 | 96.00 |
| 7 | 1 | Contemporary | John le Carré | 1 | 100% | 0% | 0% | 88 | 88.00 |
| 7 | 2 | Early | Jean Vigo | 1 | 100% | 100% | 0% | 75 | 75.00 |
| 7 | 3 | 70-89 | Elem Klimov AND Larisa Shepitko | 1 | 100% | 0% | 0% | 152 | 152.00 |
| 7 | 4 | Early | Stagecoach | 1 | 100% | 0% | 0% | 157 | 157.00 |
| 7 | 5 | 70-89 | Women on the Verge of a Nervous Breakdown | 1 | 100% | 0% | 0% | 153 | 153.00 |
| 7 | 6 | 90-10 | Cure | 1 | 100% | 0% | 0% | 148 | 148.00 |
| 7 | 7 | 50-69 | Marlon Brando | 1 | 100% | 0% | 0% | 120 | 120.00 |
| 7 | 8 | 90-10 | Dogme 95 | 1 | 100% | 0% | 0% | 84 | 84.00 |
| 7 | 9 | Contemporary | Decision to Leave | 1 | 100% | 0% | 0% | 150 | 150.00 |
| 7 | 10 | 90-10 | Clarice Starling | 1 | 100% | 0% | 0% | 89 | 89.00 |
| 7 | 11 | 70-89 | Empire of the Sun | 1 | 100% | 0% | 0% | 124 | 124.00 |
| 7 | 12 | Contemporary | The Neon Demon | 1 | 100% | 0% | 0% | 125 | 125.00 |
| 7 | 13 | 70-89 | Volker Schlöndorff | 1 | 0% | 0% | 0% | | |
| 7 | 14 | Mixed | Connecticut | 1 | 100% | 0% | 0% | 126 | 126.00 |
| 7 | 15 | 90-10 | Tenenbaum family | 1 | 100% | 0% | 0% | 94 | 94.00 |
| 7 | 16 | 50-69 | Jacques Demy | 1 | 100% | 0% | 0% | 102 | 102.00 |
| 7 | 17 | Early | Brief Encounter | 1 | 100% | 0% | 0% | 98 | 98.00 |
| 7 | 18 | Mixed | Christian Petzold | 1 | 100% | 100% | 0% | 59 | 59.00 |
| 7 | 19 | 50-69 | Hindi | 1 | 100% | 0% | 0% | 89 | 89.00 |
| 7 | 20 | 50-69 | Giulietta Masina | 1 | 100% | 100% | 0% | 30 | 30.00 |
| 8 | 1 | Early | G.W. Pabst | 1 | 100% | 0% | 0% | 126 | 126.00 |
| 8 | 2 | 50-69 | Egypt | 1 | 100% | 0% | 0% | 112 | 112.00 |
| 8 | 3 | 70-89 | Alan J. Pakula | 1 | 0% | 0% | 0% | | |
| 8 | 4 | Mixed | Sven Nykvist | 1 | 100% | 0% | 0% | 81 | 81.00 |
| 8 | 5 | Contemporary | Nan Goldin | 1 | 100% | 100% | 0% | 58 | 58.00 |
| 8 | 6 | 50-69 | Monsieur Hulot | 1 | 100% | 100% | 0% | 45 | 45.00 |
| 8 | 7 | Mixed | Robert Mitchum | 1 | 100% | 0% | 0% | 126 | 126.00 |
| 8 | 8 | Early | It Happened One Night | 1 | 100% | 0% | 0% | 69 | 69.00 |
| 8 | 9 | 90-10 | La Cienaga | 1 | 100% | 100% | 0% | 27 | 27.00 |
| 8 | 10 | 50-69 | Susan Sontag | 1 | 100% | 100% | 0% | 39 | 39.00 |
| 8 | 11 | 70-89 | Sissy Spacek | 1 | 100% | 0% | 0% | 109 | 109.00 |
| 8 | 12 | 90-10 | the ending scene from Beau travail | 1 | 100% | 100% | 0% | 61 | 61.00 |
| 8 | 13 | 50-69 | Black Girl | 1 | 100% | 0% | 0% | 126 | 126.00 |
| 8 | 14 | Contemporary | Italy | 1 | 100% | 0% | 0% | 87 | 87.00 |
| 8 | 15 | 70-89 | Andrzej Żuławski | 1 | 100% | 0% | 0% | 155 | 155.00 |
| 8 | 16 | Early | The gold from The Treasure of the Sierra Madre | 1 | 100% | 0% | 0% | 130 | 130.00 |
| 8 | 17 | 70-89 | Subtitles | 1 | 100% | 0% | 0% | 87 | 87.00 |
| 8 | 18 | Contemporary | Evil Does Not Exist | 1 | 100% | 100% | 0% | 55 | 55.00 |
| 8 | 19 | 90-10 | Mike Leigh | 1 | 100% | 100% | 0% | 58 | 58.00 |
| 8 | 20 | 90-10 | Minnesota | 1 | 0% | 0% | 0% | | |