| 1 | 4 | Early | The Best Years of Our Lives | 142 | 10 |
| 1 | 9 | 90-10 | China | 60 | -5 |
| 1 | 13 | 90-10 | John C. Reilly | 62 | -5 |
| 1 | 15 | 50-69 | Written on the Wind | 91 | 10 |
| 2 | 1 | Mixed | tarot cards | 76 | -5 |
| 2 | 3 | 90-10 | Dogville | 88 | 10 |
| 2 | 4 | Early | Maya Deren | 62 | 15 |
| 2 | 6 | Early | Sweden | 130 | 10 |
| 2 | 8 | 90-10 | Frank | 106 | 10 |
| 2 | 9 | 70-89 | The Conformist | 115 | -5 |
| 2 | 12 | Contemporary | Force Majeure | 97 | 10 |
| 2 | 13 | 70-89 | Hanna Schygulla | 122 | 10 |
| 2 | 16 | 50-69 | Cahiers du Cinéma | 128 | 10 |
| 2 | 17 | Contemporary | A Separation | 77 | 10 |
| 2 | 19 | 70-89 | A City of Sadness | 83 | -5 |
| 3 | 1 | 90-10 | Hungary | 39 | 15 |
| 3 | 2 | 70-89 | Je, tu, il, elle | 141 | 10 |
| 3 | 3 | 90-10 | Gael García Bernal | 116 | 10 |
| 3 | 4 | Contemporary | Sarah Polley | 89 | 10 |
| 3 | 5 | 70-89 | Dressed to Kill | 56 | -5 |
| 3 | 10 | Early | the red shoes | 91 | 10 |
| 3 | 11 | Early | Late Spring | 114 | 10 |
| 3 | 12 | 70-89 | The French Connection | 123 | -5 |
| 3 | 16 | 50-69 | Luchino Visconti | 124 | 10 |
| 3 | 17 | Mixed | Buster Keaton AND Charlie Chaplin | 90 | 15 |
| 3 | 18 | Contemporary | France | 115 | 10 |
| 3 | 20 | 90-10 | Toronto | 65 | 15 |
| 4 | 1 | 90-10 | Kathryn Bigelow | 27 | 15 |
| 4 | 2 | Early | Man Ray | 126 | 10 |
| 4 | 4 | 50-69 | Robert Bresson | 34 | 15 |
| 4 | 5 | Contemporary | Kogonada | 72 | 15 |
| 4 | 8 | 50-69 | My Night at Maud’s | 59 | 15 |
| 4 | 15 | 90-10 | Mohsen Makhmalbaf | 44 | 15 |
| 4 | 17 | Mixed | Dunkirk | 168 | 10 |
| 4 | 19 | Contemporary | Fallen Leaves | 52 | 15 |
| 4 | 20 | 70-89 | Black Christmas | 157 | 10 |
| 5 | 2 | 70-89 | Rick Deckard | 117 | 10 |
| 5 | 6 | 70-89 | Peter Weir | 139 | 10 |
| 5 | 7 | 50-69 | Elizabeth Taylor AND Richard Burton | 143 | -5 |
| 5 | 8 | Contemporary | Wim Wenders | 91 | -5 |
| 5 | 9 | 50-69 | Charade | 64 | 15 |
| 5 | 10 | 50-69 | Journey to Italy | 144 | 10 |
| 5 | 11 | 90-10 | The Spanish Civil War | 143 | 10 |
| 5 | 14 | 90-10 | Elephant | 76 | 10 |
| 5 | 16 | 70-89 | Francois Truffaut | 141 | 10 |
| 5 | 19 | Early | To Be or Not to Be | 133 | 10 |
| 6 | 2 | 50-69 | The dream sequence from Vertigo | 43 | 15 |
| 6 | 4 | Early | Double Indemnity | 105 | 10 |
| 6 | 5 | 70-89 | Wendy Carlos | 76 | 10 |
| 6 | 6 | Contemporary | Manchester by the Sea | 91 | 10 |
| 6 | 11 | 90-10 | Krzysztof Kieślowski | 34 | 15 |
| 6 | 13 | 50-69 | Czechoslovak New Wave | 63 | 15 |
| 6 | 17 | 90-10 | shot on digital | 134 | 10 |
| 6 | 20 | 50-69 | Vittorio De Sica | 114 | 10 |
| 7 | 7 | 50-69 | Marlon Brando | 153 | 10 |
| 7 | 8 | 90-10 | Dogme 95 | 51 | 15 |
| 7 | 10 | 90-10 | Clarice Starling | 55 | 15 |
| 7 | 12 | Contemporary | The Neon Demon | 142 | 10 |
| 7 | 14 | Mixed | Connecticut | 91 | -5 |
| 7 | 16 | 50-69 | Jacques Demy | 91 | 10 |
| 7 | 17 | Early | Brief Encounter | 68 | 15 |
| 7 | 18 | Mixed | Christian Petzold | 87 | 15 |
| 7 | 20 | 50-69 | Giulietta Masina | 61 | -5 |
| 8 | 3 | 70-89 | Alan J. Pakula | 107 | -5 |
| 8 | 6 | 50-69 | Monsieur Hulot | 96 | 10 |
| 8 | 7 | Mixed | Robert Mitchum | 100 | 10 |
| 8 | 10 | 50-69 | Susan Sontag | 152 | 10 |