| 1 | 2 | Contemporary | Kristen Stewart | 149 | 10 |
| 1 | 3 | 50-69 | Michelangelo Antonioni | 122 | 10 |
| 1 | 4 | Early | The Best Years of Our Lives | 67 | 15 |
| 1 | 5 | 50-69 | Stan Brakhage | 85 | 10 |
| 1 | 6 | 90-10 | Miami | 132 | 10 |
| 1 | 7 | Mixed | Perkins family | 133 | 10 |
| 1 | 8 | Early | Jean Renoir | 111 | 10 |
| 1 | 10 | Early | Sunrise: A Song of Two Humans | 145 | 10 |
| 1 | 11 | 70-89 | The Vanishing | 36 | 15 |
| 1 | 12 | 90-10 | Edith Piaf | 77 | 10 |
| 1 | 13 | 90-10 | John C. Reilly | 154 | -5 |
| 1 | 14 | 70-89 | the videotapes from sex, lies, and videotape | 126 | 10 |
| 1 | 15 | 50-69 | Written on the Wind | 90 | 10 |
| 1 | 16 | 70-89 | Touki Bouki | 133 | 10 |
| 1 | 18 | 70-89 | The Discreet Charm of the Bourgeoisie | 139 | 10 |
| 1 | 20 | Contemporary | Jean-Marc Vallée | 129 | -5 |
| 2 | 2 | 50-69 | Toshiro Mifune | 34 | 15 |
| 2 | 4 | Early | Maya Deren | 69 | 15 |
| 2 | 6 | Early | Sweden | 133 | -5 |
| 2 | 9 | 70-89 | The Conformist | 99 | -5 |
| 2 | 11 | Early | Peter Lorre | 78 | 10 |
| 2 | 15 | 90-10 | “California Dreamin’” | 88 | 10 |
| 2 | 17 | Contemporary | A Separation | 131 | -5 |
| 3 | 1 | 90-10 | Hungary | 102 | 10 |
| 3 | 3 | 90-10 | Gael García Bernal | 81 | 10 |
| 3 | 4 | Contemporary | Sarah Polley | 149 | 0 |
| 3 | 5 | 70-89 | Dressed to Kill | 92 | 15 |
| 3 | 7 | 70-89 | Spike Lee | 105 | 10 |
| 3 | 8 | 50-69 | Polish resistance | 79 | -5 |
| 3 | 9 | Mixed | Armenian | 131 | 10 |
| 3 | 10 | Early | the red shoes | 46 | 15 |
| 3 | 11 | Early | Late Spring | 95 | 10 |
| 3 | 12 | 70-89 | The French Connection | 136 | 10 |
| 3 | 13 | Mixed | conquistadors | 70 | 15 |
| 3 | 14 | 50-69 | Carl Theodor Dreyer | 113 | 10 |
| 3 | 16 | 50-69 | Luchino Visconti | 99 | 10 |
| 3 | 17 | Mixed | Buster Keaton AND Charlie Chaplin | 109 | 10 |
| 3 | 18 | Contemporary | France | 120 | 10 |
| 3 | 20 | 90-10 | Toronto | 90 | 15 |
| 4 | 2 | Early | Man Ray | 28 | 15 |
| 4 | 4 | 50-69 | Robert Bresson | 87 | 10 |
| 4 | 8 | 50-69 | My Night at Maud’s | 168 | 10 |
| 4 | 10 | 50-69 | Ugetsu | 72 | -5 |
| 4 | 14 | Early | Rick’s Cafe Americain | 80 | 10 |
| 4 | 19 | Contemporary | Fallen Leaves | 75 | 10 |
| 4 | 20 | 70-89 | Black Christmas | 156 | 10 |
| 5 | 1 | Mixed | Venice Film Festival | 104 | 10 |
| 5 | 6 | 70-89 | Peter Weir | 153 | 10 |
| 5 | 8 | Contemporary | Wim Wenders | 86 | -5 |
| 5 | 10 | 50-69 | Journey to Italy | 120 | -5 |
| 5 | 12 | Early | Japan | 78 | -5 |
| 5 | 13 | Contemporary | Diop | 18 | 15 |
| 5 | 15 | Early | Alice Guy-Blaché | 124 | 0 |
| 5 | 16 | 70-89 | Francois Truffaut | 99 | 10 |
| 5 | 18 | 50-69 | the bell from Andrei Rublev | 76 | 10 |
| 5 | 20 | 90-10 | Russian Ark | 115 | 10 |
| 6 | 4 | Early | Double Indemnity | 52 | 15 |
| 6 | 7 | Contemporary | Hospitals | 61 | -5 |
| 6 | 10 | 70-89 | Nicolas Roeg | 87 | 15 |
| 6 | 11 | 90-10 | Krzysztof Kieślowski | 28 | 15 |
| 6 | 13 | 50-69 | Czechoslovak New Wave | 84 | 15 |
| 6 | 14 | 90-10 | Polytechnique | 125 | -5 |
| 6 | 17 | 90-10 | shot on digital | 136 | 10 |
| 7 | 2 | Early | Jean Vigo | 93 | 10 |
| 7 | 3 | 70-89 | Elem Klimov AND Larisa Shepitko | 166 | 10 |
| 7 | 4 | Early | Stagecoach | 93 | 10 |
| 7 | 7 | 50-69 | Marlon Brando | 133 | -5 |
| 7 | 12 | Contemporary | The Neon Demon | 62 | -5 |
| 7 | 13 | 70-89 | Volker Schlöndorff | 144 | 10 |
| 7 | 20 | 50-69 | Giulietta Masina | 145 | 10 |
| 8 | 1 | Early | G.W. Pabst | 112 | 10 |
| 8 | 3 | 70-89 | Alan J. Pakula | 161 | 10 |
| 8 | 4 | Mixed | Sven Nykvist | 131 | -5 |
| 8 | 5 | Contemporary | Nan Goldin | 107 | 10 |
| 8 | 7 | Mixed | Robert Mitchum | 104 | 10 |
| 8 | 8 | Early | It Happened One Night | 29 | -5 |
| 8 | 9 | 90-10 | La Cienaga | 139 | 10 |
| 8 | 11 | 70-89 | Sissy Spacek | 138 | 10 |
| 8 | 14 | Contemporary | Italy | 71 | 10 |
| 8 | 15 | 70-89 | Andrzej Żuławski | 68 | -5 |
| 8 | 17 | 70-89 | Subtitles | 87 | -5 |
| 8 | 18 | Contemporary | Evil Does Not Exist | 76 | 15 |
| 8 | 19 | 90-10 | Mike Leigh | 91 | 10 |