1 | 1 | Contemporary | a movie theater | 4 | 75% | 0% | 25% | 0% | 92 | 127.67 |
1 | 2 | Contemporary | Kristen Stewart | 4 | 100% | 0% | 0% | 50% | 149 | 155.50 |
1 | 3 | 50-69 | Michelangelo Antonioni | 4 | 100% | 0% | 25% | 25% | 81 | 121.50 |
1 | 4 | Early | The Best Years of Our Lives | 4 | 75% | 0% | 50% | 25% | 63 | 90.67 |
1 | 5 | 50-69 | Stan Brakhage | 4 | 75% | 0% | 25% | 25% | 40 | 79.33 |
1 | 6 | 90-10 | Miami | 4 | 100% | 0% | 0% | 0% | 60 | 102.50 |
1 | 7 | Mixed | Perkins family | 4 | 100% | 0% | 25% | 25% | 34 | 114.00 |
1 | 8 | Early | Jean Renoir | 4 | 100% | 0% | 0% | 0% | 110 | 113.75 |
1 | 9 | 90-10 | China | 4 | 75% | 0% | 0% | 75% | 126 | 134.00 |
1 | 10 | Early | Sunrise: A Song of Two Humans | 4 | 100% | 0% | 0% | 0% | 130 | 144.50 |
1 | 11 | 70-89 | The Vanishing | 4 | 100% | 0% | 100% | 0% | 22 | 36.00 |
1 | 12 | 90-10 | Edith Piaf | 4 | 100% | 0% | 25% | 25% | 51 | 85.50 |
1 | 13 | 90-10 | John C. Reilly | 4 | 25% | 0% | 0% | 100% | 102 | 102.00 |
1 | 14 | 70-89 | the videotapes from sex, lies, and videotape | 4 | 100% | 0% | 0% | 0% | 100 | 124.75 |
1 | 15 | 50-69 | Written on the Wind | 4 | 50% | 0% | 0% | 50% | 90 | 90.50 |
1 | 16 | 70-89 | Touki Bouki | 4 | 100% | 0% | 25% | 0% | 73 | 115.00 |
1 | 17 | Mixed | demon | 4 | 75% | 0% | 50% | 25% | 63 | 92.00 |
1 | 18 | 70-89 | The Discreet Charm of the Bourgeoisie | 4 | 100% | 0% | 0% | 0% | 84 | 110.00 |
1 | 19 | 50-69 | La Jetée | 4 | 100% | 0% | 50% | 0% | 53 | 68.75 |
1 | 20 | Contemporary | Jean-Marc Vallée | 4 | 50% | 0% | 0% | 50% | 114 | 131.50 |
2 | 1 | Mixed | tarot cards | 4 | 100% | 0% | 25% | 25% | 76 | 119.75 |
2 | 2 | 50-69 | Toshiro Mifune | 4 | 100% | 0% | 50% | 25% | 34 | 72.00 |
2 | 3 | 90-10 | Dogville | 4 | 100% | 0% | 25% | 0% | 37 | 85.00 |
2 | 4 | Early | Maya Deren | 4 | 100% | 0% | 100% | 0% | 25 | 55.75 |
2 | 5 | 50-69 | Edgar Allan Poe | 4 | 100% | 0% | 50% | 0% | 34 | 84.50 |
2 | 6 | Early | Sweden | 4 | 100% | 0% | 25% | 25% | 73 | 125.00 |
2 | 7 | 70-89 | After Hours | 4 | 100% | 0% | 75% | 0% | 62 | 68.25 |
2 | 8 | 90-10 | Frank | 4 | 100% | 0% | 25% | 50% | 25 | 115.25 |
2 | 9 | 70-89 | The Conformist | 4 | 75% | 0% | 0% | 75% | 99 | 126.00 |
2 | 10 | 90-10 | Lynne Ramsay | 4 | 100% | 0% | 0% | 0% | 97 | 129.00 |
2 | 11 | Early | Peter Lorre | 4 | 100% | 0% | 25% | 25% | 46 | 89.00 |
2 | 12 | Contemporary | Force Majeure | 4 | 100% | 0% | 0% | 0% | 97 | 127.75 |
2 | 13 | 70-89 | Hanna Schygulla | 4 | 50% | 0% | 0% | 25% | 113 | 117.50 |
2 | 14 | Contemporary | The Roadhouse | 4 | 75% | 0% | 0% | 25% | 119 | 123.00 |
2 | 15 | 90-10 | “California Dreamin’” | 4 | 100% | 0% | 75% | 0% | 37 | 61.50 |
2 | 16 | 50-69 | Cahiers du Cinéma | 4 | 100% | 0% | 0% | 75% | 120 | 133.50 |
2 | 17 | Contemporary | A Separation | 4 | 100% | 0% | 0% | 25% | 65 | 90.75 |
2 | 18 | 50-69 | Truman Capote | 4 | 100% | 0% | 25% | 25% | 57 | 112.50 |
2 | 19 | 70-89 | A City of Sadness | 4 | 50% | 0% | 50% | 50% | 23 | 23.00 |
2 | 20 | Mixed | Christina’s World | 4 | 100% | 0% | 0% | 25% | 154 | 157.25 |
3 | 1 | 90-10 | Hungary | 4 | 100% | 0% | 25% | 50% | 39 | 108.50 |
3 | 2 | 70-89 | Je, tu, il, elle | 4 | 50% | 0% | 25% | 50% | 78 | 109.50 |
3 | 3 | 90-10 | Gael García Bernal | 4 | 100% | 0% | 0% | 0% | 81 | 90.50 |
3 | 4 | Contemporary | Sarah Polley | 4 | 75% | 0% | 0% | 0% | 78 | 84.33 |
3 | 5 | 70-89 | Dressed to Kill | 4 | 100% | 0% | 50% | 25% | 72 | 118.00 |
3 | 6 | Early | Monkey | 4 | 100% | 0% | 0% | 25% | 149 | 150.25 |
3 | 7 | 70-89 | Spike Lee | 4 | 100% | 0% | 0% | 0% | 104 | 118.00 |
3 | 8 | 50-69 | Polish resistance | 4 | 100% | 0% | 0% | 75% | 100 | 137.50 |
3 | 9 | Mixed | Armenian | 4 | 100% | 0% | 25% | 0% | 68 | 89.00 |
3 | 10 | Early | the red shoes | 4 | 100% | 0% | 25% | 0% | 46 | 86.00 |
3 | 11 | Early | Late Spring | 4 | 75% | 0% | 25% | 25% | 63 | 90.67 |
3 | 12 | 70-89 | The French Connection | 4 | 100% | 0% | 25% | 50% | 20 | 106.75 |
3 | 13 | Mixed | conquistadors | 4 | 100% | 0% | 25% | 25% | 70 | 128.00 |
3 | 14 | 50-69 | Carl Theodor Dreyer | 4 | 100% | 0% | 0% | 25% | 95 | 118.75 |
3 | 15 | 90-10 | Adrienne Shelly | 4 | 50% | 0% | 25% | 50% | 18 | 59.50 |
3 | 16 | 50-69 | Luchino Visconti | 4 | 100% | 0% | 0% | 0% | 99 | 116.25 |
3 | 17 | Mixed | Buster Keaton AND Charlie Chaplin | 4 | 100% | 0% | 25% | 25% | 90 | 126.75 |
3 | 18 | Contemporary | France | 4 | 100% | 0% | 0% | 0% | 115 | 117.00 |
3 | 19 | Contemporary | Joyland | 4 | 50% | 0% | 25% | 0% | 68 | 86.50 |
3 | 20 | 90-10 | Toronto | 4 | 100% | 0% | 75% | 25% | 56 | 94.25 |
4 | 1 | 90-10 | Kathryn Bigelow | 4 | 100% | 0% | 50% | 0% | 27 | 91.50 |
4 | 2 | Early | Man Ray | 4 | 75% | 0% | 50% | 50% | 28 | 67.67 |
4 | 3 | 90-10 | The Piano Teacher | 4 | 100% | 0% | 75% | 0% | 64 | 70.25 |
4 | 4 | 50-69 | Robert Bresson | 4 | 100% | 0% | 25% | 0% | 34 | 91.00 |
4 | 5 | Contemporary | Kogonada | 4 | 100% | 0% | 25% | 0% | 72 | 76.25 |
4 | 6 | Early | Sergei Eisenstein | 4 | 100% | 0% | 50% | 0% | 14 | 87.75 |
4 | 7 | 70-89 | Principal photography for Apocalypse Now | 4 | 100% | 0% | 25% | 50% | 75 | 125.00 |
4 | 8 | 50-69 | My Night at Maud’s | 4 | 75% | 0% | 25% | 50% | 59 | 132.00 |
4 | 9 | Contemporary | The Philippines | 4 | 100% | 0% | 50% | 0% | 74 | 97.00 |
4 | 10 | 50-69 | Ugetsu | 4 | 75% | 0% | 0% | 50% | 132 | 138.33 |
4 | 11 | 70-89 | The Holy Mountain | 4 | 100% | 0% | 50% | 0% | 51 | 88.75 |
4 | 12 | 50-69 | Bonnie and Clyde | 4 | 100% | 0% | 0% | 0% | 87 | 116.75 |
4 | 13 | 70-89 | giallo | 4 | 100% | 0% | 25% | 0% | 35 | 115.25 |
4 | 14 | Early | Rick’s Cafe Americain | 4 | 100% | 0% | 25% | 0% | 47 | 98.50 |
4 | 15 | 90-10 | Mohsen Makhmalbaf | 4 | 50% | 0% | 50% | 25% | 44 | 44.50 |
4 | 16 | Mixed | Song Kang-Ho | 4 | 75% | 0% | 0% | 0% | 68 | 70.00 |
4 | 17 | Mixed | Dunkirk | 4 | 100% | 0% | 0% | 50% | 118 | 142.00 |
4 | 18 | 90-10 | Jonas Mekas | 4 | 50% | 0% | 25% | 25% | 103 | 118.00 |
4 | 19 | Contemporary | Fallen Leaves | 4 | 100% | 0% | 25% | 0% | 52 | 97.00 |
4 | 20 | 70-89 | Black Christmas | 4 | 75% | 0% | 0% | 75% | 156 | 156.67 |
5 | 1 | Mixed | Venice Film Festival | 4 | 100% | 0% | 0% | 25% | 102 | 115.50 |
5 | 2 | 70-89 | Rick Deckard | 4 | 100% | 0% | 50% | 0% | 28 | 68.25 |
5 | 3 | 70-89 | House | 4 | 75% | 0% | 25% | 25% | 64 | 104.00 |
5 | 4 | 50-69 | Apu | 4 | 100% | 0% | 50% | 0% | 45 | 70.50 |
5 | 5 | Contemporary | conductor | 4 | 100% | 0% | 50% | 0% | 84 | 101.50 |
5 | 6 | 70-89 | Peter Weir | 4 | 100% | 0% | 25% | 0% | 41 | 114.50 |
5 | 7 | 50-69 | Elizabeth Taylor AND Richard Burton | 4 | 75% | 0% | 25% | 75% | 84 | 135.33 |
5 | 8 | Contemporary | Wim Wenders | 4 | 100% | 0% | 0% | 50% | 98 | 129.75 |
5 | 9 | 50-69 | Charade | 4 | 100% | 0% | 75% | 0% | 47 | 89.75 |
5 | 10 | 50-69 | Journey to Italy | 4 | 75% | 0% | 0% | 50% | 114 | 130.33 |
5 | 11 | 90-10 | The Spanish Civil War | 4 | 100% | 0% | 50% | 0% | 61 | 90.00 |
5 | 12 | Early | Japan | 4 | 100% | 0% | 0% | 50% | 80 | 124.00 |
5 | 13 | Contemporary | Diop | 4 | 100% | 0% | 75% | 0% | 18 | 44.50 |
5 | 14 | 90-10 | Elephant | 4 | 100% | 0% | 75% | 0% | 46 | 56.75 |
5 | 15 | Early | Alice Guy-Blaché | 4 | 75% | 0% | 0% | 50% | 111 | 119.33 |
5 | 16 | 70-89 | Francois Truffaut | 4 | 100% | 0% | 0% | 0% | 99 | 128.75 |
5 | 17 | 90-10 | The Virgin Suicides | 4 | 75% | 0% | 0% | 25% | 123 | 130.00 |
5 | 18 | 50-69 | the bell from Andrei Rublev | 4 | 75% | 0% | 25% | 0% | 69 | 74.33 |
5 | 19 | Early | To Be or Not to Be | 4 | 100% | 0% | 75% | 0% | 32 | 59.25 |
5 | 20 | 90-10 | Russian Ark | 4 | 100% | 0% | 0% | 0% | 107 | 112.75 |
6 | 1 | Early | Meet Me in St. Louis | 4 | 100% | 0% | 50% | 25% | 28 | 86.50 |
6 | 2 | 50-69 | The dream sequence from Vertigo | 4 | 100% | 0% | 25% | 25% | 43 | 104.75 |
6 | 3 | Mixed | The White Rabbit | 4 | 75% | 0% | 0% | 50% | 124 | 132.67 |
6 | 4 | Early | Double Indemnity | 4 | 100% | 0% | 50% | 0% | 44 | 71.50 |
6 | 5 | 70-89 | Wendy Carlos | 4 | 75% | 0% | 50% | 0% | 55 | 62.00 |
6 | 6 | Contemporary | Manchester by the Sea | 4 | 100% | 0% | 0% | 25% | 91 | 101.75 |
6 | 7 | Contemporary | Hospitals | 4 | 100% | 0% | 0% | 50% | 100 | 122.25 |
6 | 8 | 50-69 | The Cranes are Flying | 4 | 75% | 0% | 25% | 25% | 52 | 121.00 |
6 | 9 | Early | Dziga Vertov | 4 | 75% | 0% | 25% | 0% | 54 | 71.00 |
6 | 10 | 70-89 | Nicolas Roeg | 4 | 75% | 0% | 50% | 25% | 52 | 77.67 |
6 | 11 | 90-10 | Krzysztof Kieślowski | 4 | 75% | 0% | 50% | 25% | 28 | 47.67 |
6 | 12 | Contemporary | Iceland | 4 | 100% | 0% | 75% | 0% | 19 | 78.25 |
6 | 13 | 50-69 | Czechoslovak New Wave | 4 | 100% | 0% | 50% | 0% | 63 | 104.00 |
6 | 14 | 90-10 | Polytechnique | 4 | 75% | 0% | 0% | 25% | 98 | 125.33 |
6 | 15 | 70-89 | The Spirit of the Beehive | 4 | 75% | 0% | 25% | 25% | 50 | 86.67 |
6 | 16 | Mixed | Mali | 4 | 100% | 0% | 25% | 25% | 64 | 124.50 |
6 | 17 | 90-10 | shot on digital | 4 | 75% | 0% | 0% | 75% | 133 | 134.33 |
6 | 18 | 70-89 | motorcycles | 4 | 100% | 0% | 50% | 0% | 90 | 112.00 |
6 | 19 | 90-10 | The Secret in Their Eyes | 4 | 50% | 0% | 25% | 25% | 75 | 113.00 |
6 | 20 | 50-69 | Vittorio De Sica | 4 | 100% | 0% | 25% | 25% | 83 | 126.25 |
7 | 1 | Contemporary | John le Carré | 4 | 100% | 0% | 75% | 0% | 62 | 78.50 |
7 | 2 | Early | Jean Vigo | 4 | 100% | 0% | 0% | 50% | 93 | 130.00 |
7 | 3 | 70-89 | Elem Klimov AND Larisa Shepitko | 4 | 100% | 0% | 0% | 25% | 133 | 152.75 |
7 | 4 | Early | Stagecoach | 4 | 100% | 0% | 50% | 25% | 39 | 92.50 |
7 | 5 | 70-89 | Women on the Verge of a Nervous Breakdown | 4 | 75% | 0% | 0% | 25% | 117 | 123.33 |
7 | 6 | 90-10 | Cure | 4 | 100% | 0% | 25% | 0% | 31 | 97.25 |
7 | 7 | 50-69 | Marlon Brando | 4 | 100% | 0% | 0% | 25% | 75 | 123.50 |
7 | 8 | 90-10 | Dogme 95 | 4 | 100% | 0% | 100% | 0% | 34 | 49.00 |
7 | 9 | Contemporary | Decision to Leave | 4 | 75% | 0% | 25% | 50% | 46 | 121.67 |
7 | 10 | 90-10 | Clarice Starling | 4 | 100% | 0% | 100% | 0% | 46 | 53.00 |
7 | 11 | 70-89 | Empire of the Sun | 4 | 75% | 0% | 0% | 50% | 124 | 136.67 |
7 | 12 | Contemporary | The Neon Demon | 4 | 75% | 0% | 0% | 75% | 95 | 127.33 |
7 | 13 | 70-89 | Volker Schlöndorff | 4 | 75% | 0% | 0% | 50% | 92 | 115.33 |
7 | 14 | Mixed | Connecticut | 4 | 50% | 0% | 0% | 50% | 128 | 134.00 |
7 | 15 | 90-10 | Tenenbaum family | 4 | 100% | 0% | 100% | 0% | 44 | 65.00 |
7 | 16 | 50-69 | Jacques Demy | 4 | 75% | 0% | 0% | 0% | 84 | 90.33 |
7 | 17 | Early | Brief Encounter | 4 | 100% | 0% | 25% | 25% | 68 | 110.50 |
7 | 18 | Mixed | Christian Petzold | 4 | 75% | 0% | 25% | 25% | 87 | 135.33 |
7 | 19 | 50-69 | Hindi | 4 | 100% | 0% | 25% | 50% | 76 | 122.00 |
7 | 20 | 50-69 | Giulietta Masina | 4 | 50% | 0% | 25% | 75% | 46 | 95.50 |
8 | 1 | Early | G.W. Pabst | 4 | 100% | 0% | 0% | 0% | 112 | 127.75 |
8 | 2 | 50-69 | Egypt | 4 | 100% | 0% | 25% | 0% | 75 | 117.50 |
8 | 3 | 70-89 | Alan J. Pakula | 4 | 75% | 0% | 25% | 75% | 30 | 117.33 |
8 | 4 | Mixed | Sven Nykvist | 4 | 50% | 0% | 0% | 25% | 94 | 105.00 |
8 | 5 | Contemporary | Nan Goldin | 4 | 75% | 0% | 0% | 25% | 107 | 123.00 |
8 | 6 | 50-69 | Monsieur Hulot | 4 | 75% | 0% | 0% | 25% | 96 | 123.33 |
8 | 7 | Mixed | Robert Mitchum | 4 | 100% | 0% | 0% | 0% | 100 | 109.50 |
8 | 8 | Early | It Happened One Night | 4 | 100% | 0% | 25% | 50% | 33 | 94.50 |
8 | 9 | 90-10 | La Cienaga | 4 | 75% | 0% | 50% | 0% | 15 | 58.00 |
8 | 10 | 50-69 | Susan Sontag | 4 | 75% | 0% | 0% | 25% | 127 | 143.33 |
8 | 11 | 70-89 | Sissy Spacek | 4 | 75% | 0% | 50% | 50% | 46 | 88.00 |
8 | 12 | 90-10 | the ending scene from Beau travail | 4 | 75% | 0% | 50% | 0% | 49 | 67.00 |
8 | 13 | 50-69 | Black Girl | 4 | 100% | 0% | 50% | 0% | 92 | 130.25 |
8 | 14 | Contemporary | Italy | 4 | 75% | 0% | 0% | 50% | 71 | 114.67 |
8 | 15 | 70-89 | Andrzej Żuławski | 4 | 75% | 0% | 0% | 25% | 86 | 109.67 |
8 | 16 | Early | The gold from The Treasure of the Sierra Madre | 4 | 100% | 0% | 25% | 0% | 68 | 116.50 |
8 | 17 | 70-89 | Subtitles | 4 | 100% | 0% | 0% | 25% | 72 | 90.00 |
8 | 18 | Contemporary | Evil Does Not Exist | 4 | 75% | 0% | 50% | 50% | 67 | 95.67 |
8 | 19 | 90-10 | Mike Leigh | 4 | 75% | 0% | 50% | 0% | 29 | 64.33 |
8 | 20 | 90-10 | Minnesota | 4 | 100% | 0% | 25% | 0% | 60 | 107.25 |