| 1 | 3 | 50-69 | Michelangelo Antonioni | 86 | -5 |
| 1 | 5 | 50-69 | Stan Brakhage | 128 | 0 |
| 1 | 9 | 90-10 | China | 148 | 0 |
| 1 | 10 | Early | Sunrise: A Song of Two Humans | 130 | 10 |
| 1 | 12 | 90-10 | Edith Piaf | 142 | 10 |
| 1 | 15 | 50-69 | Written on the Wind | 162 | 0 |
| 2 | 4 | Early | Maya Deren | 67 | 15 |
| 2 | 8 | 90-10 | Frank | 62 | -5 |
| 2 | 9 | 70-89 | The Conformist | 154 | 10 |
| 3 | 1 | 90-10 | Hungary | 47 | -5 |
| 3 | 4 | Contemporary | Sarah Polley | 149 | 0 |
| 3 | 6 | Early | Monkey | 149 | 10 |
| 3 | 8 | 50-69 | Polish resistance | 145 | 10 |
| 3 | 15 | 90-10 | Adrienne Shelly | 116 | -5 |
| 4 | 6 | Early | Sergei Eisenstein | 132 | 10 |
| 4 | 7 | 70-89 | Principal photography for Apocalypse Now | 97 | 10 |
| 4 | 12 | 50-69 | Bonnie and Clyde | 147 | 10 |
| 4 | 14 | Early | Rick’s Cafe Americain | 138 | 10 |
| 5 | 3 | 70-89 | House | 64 | 15 |
| 5 | 10 | 50-69 | Journey to Italy | 89 | -5 |
| 5 | 15 | Early | Alice Guy-Blaché | 112 | -5 |
| 5 | 18 | 50-69 | the bell from Andrei Rublev | 139 | 0 |
| 6 | 2 | 50-69 | The dream sequence from Vertigo | 88 | -5 |
| 6 | 3 | Mixed | The White Rabbit | 124 | 10 |
| 6 | 11 | 90-10 | Krzysztof Kieślowski | 152 | -5 |
| 6 | 13 | 50-69 | Czechoslovak New Wave | 163 | 10 |
| 7 | 2 | Early | Jean Vigo | 110 | -5 |
| 7 | 5 | 70-89 | Women on the Verge of a Nervous Breakdown | 153 | 0 |
| 7 | 9 | Contemporary | Decision to Leave | 160 | 0 |
| 7 | 10 | 90-10 | Clarice Starling | 60 | 15 |
| 7 | 11 | 70-89 | Empire of the Sun | 161 | 0 |
| 7 | 12 | Contemporary | The Neon Demon | 152 | 0 |
| 8 | 1 | Early | G.W. Pabst | 156 | 10 |
| 8 | 4 | Mixed | Sven Nykvist | 159 | 0 |
| 8 | 5 | Contemporary | Nan Goldin | 141 | 0 |
| 8 | 7 | Mixed | Robert Mitchum | 116 | 10 |
| 8 | 8 | Early | It Happened One Night | 86 | 10 |
| 8 | 14 | Contemporary | Italy | 137 | 0 |
| 8 | 18 | Contemporary | Evil Does Not Exist | 108 | -5 |