1 | 1 | Contemporary | a movie theater | 174 | 10 |
1 | 3 | 50-69 | Michelangelo Antonioni | 116 | 10 |
1 | 7 | Mixed | Perkins family | 154 | 10 |
1 | 8 | Early | Jean Renoir | 117 | 10 |
1 | 12 | 90-10 | Edith Piaf | 55 | 15 |
1 | 13 | 90-10 | John C. Reilly | 108 | 10 |
1 | 16 | 70-89 | Touki Bouki | 107 | 10 |
2 | 1 | Mixed | tarot cards | 121 | 10 |
2 | 2 | 50-69 | Toshiro Mifune | 138 | 10 |
2 | 5 | 50-69 | Edgar Allan Poe | 84 | 10 |
2 | 6 | Early | Sweden | 47 | 15 |
2 | 7 | 70-89 | After Hours | 171 | 10 |
2 | 9 | 70-89 | The Conformist | 125 | 10 |
2 | 11 | Early | Peter Lorre | 80 | 10 |
2 | 14 | Contemporary | The Roadhouse | 101 | 10 |
2 | 15 | 90-10 | “California Dreamin’” | 120 | 10 |
2 | 16 | 50-69 | Cahiers du Cinéma | 132 | 10 |
3 | 2 | 70-89 | Je, tu, il, elle | 151 | 10 |
3 | 3 | 90-10 | Gael García Bernal | 95 | 10 |
3 | 8 | 50-69 | Polish resistance | 145 | 10 |
3 | 10 | Early | the red shoes | 91 | 10 |
3 | 13 | Mixed | conquistadors | 123 | 10 |
3 | 14 | 50-69 | Carl Theodor Dreyer | 128 | 10 |
3 | 16 | 50-69 | Luchino Visconti | 125 | 10 |
3 | 17 | Mixed | Buster Keaton AND Charlie Chaplin | 46 | 15 |
4 | 4 | 50-69 | Robert Bresson | 85 | 10 |
4 | 5 | Contemporary | Kogonada | 77 | 10 |
4 | 8 | 50-69 | My Night at Maud’s | 77 | 15 |
4 | 10 | 50-69 | Ugetsu | 134 | 10 |
4 | 12 | 50-69 | Bonnie and Clyde | 140 | 10 |
4 | 14 | Early | Rick’s Cafe Americain | 115 | 10 |
4 | 18 | 90-10 | Jonas Mekas | 62 | 15 |
4 | 19 | Contemporary | Fallen Leaves | 102 | 10 |
5 | 3 | 70-89 | House | 91 | 15 |
5 | 4 | 50-69 | Apu | 81 | 10 |
5 | 5 | Contemporary | conductor | 91 | 15 |
5 | 6 | 70-89 | Peter Weir | 112 | 10 |
5 | 7 | 50-69 | Elizabeth Taylor AND Richard Burton | 82 | 15 |
5 | 8 | Contemporary | Wim Wenders | 108 | 10 |
5 | 9 | 50-69 | Charade | 164 | 0 |
5 | 10 | 50-69 | Journey to Italy | 108 | 10 |
5 | 13 | Contemporary | Diop | 46 | 15 |
5 | 14 | 90-10 | Elephant | 129 | 10 |
5 | 16 | 70-89 | Francois Truffaut | 150 | 10 |
5 | 19 | Early | To Be or Not to Be | 104 | 10 |
6 | 1 | Early | Meet Me in St. Louis | 112 | 10 |
6 | 2 | 50-69 | The dream sequence from Vertigo | 111 | 10 |
6 | 4 | Early | Double Indemnity | 104 | 10 |
6 | 6 | Contemporary | Manchester by the Sea | 95 | 10 |
6 | 8 | 50-69 | The Cranes are Flying | 125 | 10 |
6 | 10 | 70-89 | Nicolas Roeg | 102 | 10 |
6 | 11 | 90-10 | Krzysztof Kieślowski | 50 | 15 |
6 | 13 | 50-69 | Czechoslovak New Wave | 94 | 10 |
6 | 16 | Mixed | Mali | 99 | -5 |
6 | 20 | 50-69 | Vittorio De Sica | 96 | 10 |
7 | 7 | 50-69 | Marlon Brando | 120 | 10 |
7 | 9 | Contemporary | Decision to Leave | 150 | 10 |
7 | 16 | 50-69 | Jacques Demy | 102 | 10 |
7 | 19 | 50-69 | Hindi | 89 | 10 |
7 | 20 | 50-69 | Giulietta Masina | 30 | 15 |
8 | 1 | Early | G.W. Pabst | 126 | 10 |
8 | 5 | Contemporary | Nan Goldin | 58 | 15 |
8 | 6 | 50-69 | Monsieur Hulot | 45 | 15 |
8 | 7 | Mixed | Robert Mitchum | 126 | 10 |
8 | 8 | Early | It Happened One Night | 69 | 10 |
8 | 11 | 70-89 | Sissy Spacek | 109 | 10 |
8 | 12 | 90-10 | the ending scene from Beau travail | 61 | 15 |
8 | 13 | 50-69 | Black Girl | 126 | 10 |
8 | 15 | 70-89 | Andrzej Żuławski | 155 | 10 |
8 | 16 | Early | The gold from The Treasure of the Sierra Madre | 130 | 10 |
8 | 18 | Contemporary | Evil Does Not Exist | 55 | 15 |
8 | 19 | 90-10 | Mike Leigh | 58 | 15 |