| 1 | 5 | 50-69 | Stan Brakhage | 16 | -5 |
| 1 | 14 | 70-89 | the videotapes from sex, lies, and videotape | 100 | 10 |
| 1 | 16 | 70-89 | Touki Bouki | 73 | 15 |
| 2 | 5 | 50-69 | Edgar Allan Poe | 86 | 10 |
| 2 | 10 | 90-10 | Lynne Ramsay | 97 | 10 |
| 2 | 14 | Contemporary | The Roadhouse | 125 | 10 |
| 3 | 8 | 50-69 | Polish resistance | 153 | 10 |
| 3 | 9 | Mixed | Armenian | 86 | 10 |
| 3 | 13 | Mixed | conquistadors | 161 | 10 |
| 3 | 15 | 90-10 | Adrienne Shelly | 18 | 15 |
| 4 | 3 | 90-10 | The Piano Teacher | 64 | 15 |
| 4 | 7 | 70-89 | Principal photography for Apocalypse Now | 99 | -5 |
| 5 | 1 | Mixed | Venice Film Festival | 80 | -5 |
| 7 | 5 | 70-89 | Women on the Verge of a Nervous Breakdown | 130 | 10 |
| 7 | 9 | Contemporary | Decision to Leave | 90 | -5 |
| 8 | 5 | Contemporary | Nan Goldin | 55 | -5 |
| 8 | 9 | 90-10 | La Cienaga | 20 | 15 |
| 8 | 13 | 50-69 | Black Girl | 113 | 15 |
| 8 | 18 | Contemporary | Evil Does Not Exist | 67 | 15 |