Packet 6: Tossup 8

While filming an adaptation of this novel in Zagreb, a director fell in love with a 20-year-old actress he gave the stage name “Oja Kodar” (“OH-yuh KOH-dar”). A pinscreen was (15[1])used to animate the opening of that adaptation of this novel, (15[1])whose “logic” (15[1])is said by the director’s narration to be that “of a dream … a nightmare.” (15[1])In a scene inspired (15[1])by this novel, pink light shines on a man who says “tonight (15[1])is Mohawk night.” The abandoned Gare d’Orsay (“gahr dor-SAY”) was the set of many stylized interiors of an adaptation of this novel, like a wooden shack with gaps that a mob of girls peer through and a grid of hundreds of (*) desks with typewriters. That 1962 black-and-white adaptation (10[1])of this novel exploited (10[1])its star’s (10[1])homosexuality (10[1])by pairing him opposite Romy Schneider and Jeanne Moreau (10[1])(“zhun mo-ROH”). Paul’s dialogue with the bouncer in After Hours is inspired by a passage from this novel about a man who is refused entry through a door for years. For 10 points, (10[1])Orson Welles’s (10[1])adaptation (10[1])of what novel stars Anthony Perkins as Joseph K? ■END■ (10[1])

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