| 1 | 1 | 1 | Contemporary | a movie theater | 178 | 0 | | | | |
| 1 | 1 | 3 | 50-69 | Michelangelo Antonioni | 143 | 10 | | | 5 | ✓ |
| 1 | 1 | 6 | 90-10 | Miami | 133 | 10 | | | 5 | |
| 1 | 1 | 8 | Early | Jean Renoir | 110 | 10 | ✓ | ✓ | 1 | |
| 1 | 1 | 9 | 90-10 | China | 108 | -5 | | | | |
| 1 | 1 | 11 | 70-89 | The Vanishing | 50 | 15 | | ✓ | 3 | |
| 1 | 1 | 12 | 90-10 | Edith Piaf | 84 | -5 | | | | |
| 1 | 1 | 15 | 50-69 | Written on the Wind | 110 | -5 | | | | |
| 1 | 1 | 16 | 70-89 | Touki Bouki | 135 | 10 | | | 5 | |
| 1 | 1 | 18 | 70-89 | The Discreet Charm of the Bourgeoisie | 123 | 10 | | ✓ | 3 | |
| 2 | 2 | 11 | Early | Peter Lorre | 29 | -5 | | | | |
| 2 | 2 | 15 | 90-10 | “California Dreamin’” | 48 | 15 | | ✓ | 2 | |
| 2 | 2 | 19 | 70-89 | A City of Sadness | 23 | 15 | ✓ | ✓ | 1 | |
| 3 | 3 | 5 | 70-89 | Dressed to Kill | 154 | 10 | | | 4 | ✓ |
| 3 | 3 | 7 | 70-89 | Spike Lee | 133 | 10 | | | 4 | |
| 3 | 3 | 8 | 50-69 | Polish resistance | 134 | -5 | | | | |
| 3 | 3 | 12 | 70-89 | The French Connection | 147 | 10 | | | 5 | ✓ |
| 3 | 3 | 14 | 50-69 | Carl Theodor Dreyer | 95 | 10 | ✓ | ✓ | 1 | |
| 3 | 3 | 19 | Contemporary | Joyland | 68 | 15 | ✓ | ✓ | 1 | |
| 4 | 4 | 1 | 90-10 | Kathryn Bigelow | 126 | 10 | | | 4 | |
| 4 | 4 | 2 | Early | Man Ray | 102 | -5 | | | | |
| 4 | 4 | 3 | 90-10 | The Piano Teacher | 67 | 15 | | ✓ | 3 | |
| 4 | 4 | 5 | Contemporary | Kogonada | 79 | 10 | | ✓ | 3 | |
| 4 | 4 | 6 | Early | Sergei Eisenstein | 144 | 10 | | | 5 | |
| 4 | 4 | 7 | 70-89 | Principal photography for Apocalypse Now | 143 | -5 | | | | |
| 4 | 4 | 8 | 50-69 | My Night at Maud’s | 169 | 0 | | | | |
| 4 | 4 | 10 | 50-69 | Ugetsu | 143 | 10 | | | 4 | |
| 4 | 4 | 11 | 70-89 | The Holy Mountain | 126 | 10 | | | 5 | |
| 4 | 4 | 12 | 50-69 | Bonnie and Clyde | 145 | 10 | | | 4 | |
| 4 | 4 | 14 | Early | Rick’s Cafe Americain | 129 | 10 | | | 4 | |
| 4 | 4 | 15 | 90-10 | Mohsen Makhmalbaf | 161 | 0 | | | | |
| 4 | 4 | 17 | Mixed | Dunkirk | 123 | -5 | | | | |
| 4 | 4 | 19 | Contemporary | Fallen Leaves | 156 | 10 | | | 5 | |
| 4 | 4 | 20 | 70-89 | Black Christmas | 157 | 10 | | ✓ | 3 | |
| 5 | 5 | 2 | 70-89 | Rick Deckard | 78 | 10 | | | 4 | |
| 5 | 5 | 4 | 50-69 | Apu | 45 | 15 | ✓ | ✓ | 1 | |
| 5 | 5 | 8 | Contemporary | Wim Wenders | 129 | 10 | | ✓ | 3 | ✓ |
| 5 | 5 | 10 | 50-69 | Journey to Italy | 144 | 0 | | | | |
| 5 | 5 | 12 | Early | Japan | 151 | 10 | | | 4 | ✓ |
| 6 | 6 | 1 | Early | Meet Me in St. Louis | 140 | 10 | | | 4 | |
| 6 | 6 | 4 | Early | Double Indemnity | 85 | 10 | | ✓ | 3 | |
| 6 | 6 | 6 | Contemporary | Manchester by the Sea | 69 | -5 | | | | |
| 6 | 6 | 10 | 70-89 | Nicolas Roeg | 37 | -5 | | | | |
| 6 | 6 | 11 | 90-10 | Krzysztof Kieślowski | 81 | 10 | | | 4 | |
| 6 | 6 | 16 | Mixed | Mali | 142 | -5 | | | | |
| 6 | 6 | 17 | 90-10 | shot on digital | 137 | 0 | | | | |
| 6 | 6 | 20 | 50-69 | Vittorio De Sica | 149 | 10 | | | 4 | |
| 7 | 7 | 7 | 50-69 | Marlon Brando | 126 | 10 | | ✓ | 3 | |
| 7 | 7 | 15 | 90-10 | Tenenbaum family | 67 | 15 | | ✓ | 2 | |
| 7 | 7 | 19 | 50-69 | Hindi | 156 | 10 | | | 5 | ✓ |
| 8 | 8 | 2 | 50-69 | Egypt | 123 | 10 | | ✓ | 3 | |
| 8 | 8 | 3 | 70-89 | Alan J. Pakula | 87 | -5 | | | | |
| 8 | 8 | 8 | Early | It Happened One Night | 146 | 10 | | | 5 | ✓ |
| 8 | 8 | 11 | 70-89 | Sissy Spacek | 52 | -5 | | | | |
| 8 | 8 | 12 | 90-10 | the ending scene from Beau travail | 62 | 15 | | ✓ | 3 | |
| 8 | 8 | 20 | 90-10 | Minnesota | 114 | 10 | | ✓ | 3 | |