| 1 | 1 | 2 | Contemporary | Kristen Stewart | 86 | -5 | | | | |
| 1 | 1 | 7 | Mixed | Perkins family | 79 | -5 | | | | |
| 1 | 1 | 9 | 90-10 | China | 128 | 10 | | ✓ | 2 | |
| 1 | 1 | 12 | 90-10 | Edith Piaf | 72 | 10 | | ✓ | 3 | |
| 1 | 1 | 13 | 90-10 | John C. Reilly | 25 | -5 | | | | |
| 1 | 1 | 14 | 70-89 | the videotapes from sex, lies, and videotape | 121 | 10 | | ✓ | 2 | |
| 1 | 1 | 16 | 70-89 | Touki Bouki | 119 | 10 | | ✓ | 3 | |
| 1 | 1 | 17 | Mixed | demon | 63 | 15 | ✓ | ✓ | 1 | |
| 1 | 1 | 19 | 50-69 | La Jetée | 53 | 15 | | ✓ | 2 | |
| 2 | 2 | 1 | Mixed | tarot cards | 134 | 10 | | | 4 | |
| 2 | 2 | 2 | 50-69 | Toshiro Mifune | 68 | 15 | | ✓ | 2 | ✓ |
| 2 | 2 | 3 | 90-10 | Dogville | 123 | 10 | | | 5 | |
| 2 | 2 | 6 | Early | Sweden | 73 | 15 | | ✓ | 2 | |
| 2 | 2 | 7 | 70-89 | After Hours | 62 | 15 | ✓ | ✓ | 1 | |
| 2 | 2 | 8 | 90-10 | Frank | 165 | 10 | | | 4 | ✓ |
| 2 | 2 | 9 | 70-89 | The Conformist | 39 | -5 | | | | |
| 2 | 2 | 10 | 90-10 | Lynne Ramsay | 157 | 10 | | | 4 | |
| 2 | 2 | 12 | Contemporary | Force Majeure | 135 | 10 | | ✓ | 3 | |
| 2 | 2 | 15 | 90-10 | “California Dreamin’” | 37 | 15 | ✓ | ✓ | 1 | |
| 2 | 2 | 16 | 50-69 | Cahiers du Cinéma | 120 | 10 | ✓ | ✓ | 1 | |
| 2 | 2 | 17 | Contemporary | A Separation | 65 | 10 | ✓ | ✓ | 1 | |
| 2 | 2 | 18 | 50-69 | Truman Capote | 57 | 15 | ✓ | ✓ | 1 | |
| 2 | 2 | 19 | 70-89 | A City of Sadness | 68 | -5 | | | | |
| 2 | 2 | 20 | Mixed | Christina’s World | 158 | 10 | | | 4 | |
| 3 | 3 | 1 | 90-10 | Hungary | 158 | 10 | | | 5 | ✓ |
| 3 | 3 | 2 | 70-89 | Je, tu, il, elle | 25 | -5 | | | | |
| 3 | 3 | 3 | 90-10 | Gael García Bernal | 81 | 10 | ✓ | ✓ | 1 | |
| 3 | 3 | 6 | Early | Monkey | 31 | -5 | | | | |
| 3 | 3 | 8 | 50-69 | Polish resistance | 152 | 10 | | ✓ | 3 | ✓ |
| 3 | 3 | 9 | Mixed | Armenian | 68 | 15 | ✓ | ✓ | 1 | |
| 3 | 3 | 11 | Early | Late Spring | 63 | 15 | ✓ | ✓ | 1 | |
| 3 | 3 | 12 | 70-89 | The French Connection | 20 | 15 | ✓ | ✓ | 1 | |
| 3 | 3 | 13 | Mixed | conquistadors | 149 | -5 | | | | |
| 3 | 3 | 14 | 50-69 | Carl Theodor Dreyer | 34 | -5 | | | | |
| 3 | 3 | 15 | 90-10 | Adrienne Shelly | 101 | 10 | | ✓ | 2 | ✓ |
| 3 | 3 | 16 | 50-69 | Luchino Visconti | 122 | 10 | | ✓ | 3 | |
| 3 | 3 | 17 | Mixed | Buster Keaton AND Charlie Chaplin | 28 | -5 | | | | |
| 3 | 3 | 19 | Contemporary | Joyland | 105 | 10 | | ✓ | 2 | |
| 4 | 4 | 7 | 70-89 | Principal photography for Apocalypse Now | 75 | 15 | ✓ | ✓ | 1 | |
| 4 | 4 | 8 | 50-69 | My Night at Maud’s | 99 | -5 | | | | |
| 4 | 4 | 9 | Contemporary | The Philippines | 105 | 10 | | ✓ | 3 | |
| 4 | 4 | 10 | 50-69 | Ugetsu | 140 | 10 | | ✓ | 3 | ✓ |
| 4 | 4 | 11 | 70-89 | The Holy Mountain | 51 | 15 | ✓ | ✓ | 1 | |
| 4 | 4 | 12 | 50-69 | Bonnie and Clyde | 87 | 10 | ✓ | ✓ | 1 | |
| 4 | 4 | 15 | 90-10 | Mohsen Makhmalbaf | 45 | 15 | | ✓ | 2 | |
| 4 | 4 | 16 | Mixed | Song Kang-Ho | 70 | 10 | | ✓ | 2 | |
| 4 | 4 | 17 | Mixed | Dunkirk | 118 | 10 | ✓ | ✓ | 1 | |
| 4 | 4 | 18 | 90-10 | Jonas Mekas | 133 | -5 | | | | |
| 5 | 5 | 1 | Mixed | Venice Film Festival | 104 | 10 | | ✓ | 2 | |
| 5 | 5 | 4 | 50-69 | Apu | 75 | 15 | | ✓ | 2 | |
| 5 | 5 | 5 | Contemporary | conductor | 118 | 10 | | | 5 | |
| 5 | 5 | 6 | 70-89 | Peter Weir | 125 | 10 | | ✓ | 3 | |
| 5 | 5 | 7 | 50-69 | Elizabeth Taylor AND Richard Burton | 21 | -5 | | | | |
| 5 | 5 | 10 | 50-69 | Journey to Italy | 133 | 10 | | ✓ | 3 | |
| 5 | 5 | 13 | Contemporary | Diop | 52 | 15 | | | 4 | |
| 5 | 5 | 14 | 90-10 | Elephant | 59 | 15 | | ✓ | 2 | |
| 5 | 5 | 15 | Early | Alice Guy-Blaché | 111 | 10 | | ✓ | 2 | |
| 5 | 5 | 16 | 70-89 | Francois Truffaut | 137 | 10 | | ✓ | 2 | |
| 5 | 5 | 17 | 90-10 | The Virgin Suicides | 48 | -5 | | | | |
| 5 | 5 | 19 | Early | To Be or Not to Be | 32 | 15 | ✓ | ✓ | 1 | |
| 5 | 5 | 20 | 90-10 | Russian Ark | 118 | 10 | | | 5 | |
| 6 | 6 | 3 | Mixed | The White Rabbit | 137 | 0 | | | | |
| 6 | 6 | 7 | Contemporary | Hospitals | 116 | 10 | | ✓ | 3 | ✓ |
| 6 | 6 | 9 | Early | Dziga Vertov | 54 | 15 | ✓ | ✓ | 1 | |
| 6 | 6 | 10 | 70-89 | Nicolas Roeg | 94 | 10 | | ✓ | 3 | |
| 6 | 6 | 12 | Contemporary | Iceland | 19 | 15 | ✓ | ✓ | 1 | |
| 6 | 6 | 14 | 90-10 | Polytechnique | 98 | 10 | ✓ | ✓ | 1 | |
| 6 | 6 | 15 | 70-89 | The Spirit of the Beehive | 90 | 10 | | ✓ | 2 | |
| 6 | 6 | 16 | Mixed | Mali | 64 | 15 | ✓ | ✓ | 1 | |
| 6 | 6 | 17 | 90-10 | shot on digital | 53 | -5 | | | | |
| 6 | 6 | 18 | 70-89 | motorcycles | 90 | 15 | ✓ | ✓ | 1 | |
| 7 | 7 | 1 | Contemporary | John le Carré | 88 | 10 | | ✓ | 3 | |
| 7 | 7 | 2 | Early | Jean Vigo | 117 | 10 | | ✓ | 3 | |
| 7 | 7 | 3 | 70-89 | Elem Klimov AND Larisa Shepitko | 133 | 10 | ✓ | ✓ | 1 | |
| 7 | 7 | 9 | Contemporary | Decision to Leave | 46 | 15 | ✓ | ✓ | 1 | |
| 7 | 7 | 10 | 90-10 | Clarice Starling | 46 | 15 | ✓ | ✓ | 1 | |
| 7 | 7 | 14 | Mixed | Connecticut | 127 | -5 | | | | |
| 7 | 7 | 17 | Early | Brief Encounter | 125 | 10 | | | 4 | ✓ |
| 7 | 7 | 18 | Mixed | Christian Petzold | 160 | 10 | | | 4 | |
| 7 | 7 | 19 | 50-69 | Hindi | 59 | -5 | | | | |
| 7 | 7 | 20 | 50-69 | Giulietta Masina | 46 | 15 | | ✓ | 2 | |
| 8 | 8 | 1 | Early | G.W. Pabst | 126 | 10 | | ✓ | 3 | |
| 8 | 8 | 2 | 50-69 | Egypt | 127 | 10 | | | 4 | |
| 8 | 8 | 3 | 70-89 | Alan J. Pakula | 30 | 15 | ✓ | ✓ | 1 | |
| 8 | 8 | 6 | 50-69 | Monsieur Hulot | 111 | 10 | | ✓ | 3 | |
| 8 | 8 | 8 | Early | It Happened One Night | 33 | 15 | ✓ | ✓ | 1 | |
| 8 | 8 | 11 | 70-89 | Sissy Spacek | 46 | 15 | ✓ | ✓ | 1 | |
| 8 | 8 | 14 | Contemporary | Italy | 67 | -5 | | | | |
| 8 | 8 | 16 | Early | The gold from The Treasure of the Sierra Madre | 68 | 15 | ✓ | ✓ | 1 | |
| 8 | 8 | 17 | 70-89 | Subtitles | 72 | 10 | ✓ | ✓ | 1 | |
| 8 | 8 | 18 | Contemporary | Evil Does Not Exist | 68 | -5 | | | | |
| 8 | 8 | 19 | 90-10 | Mike Leigh | 73 | 15 | | ✓ | 3 | |
| 8 | 8 | 20 | 90-10 | Minnesota | 60 | 15 | ✓ | ✓ | 1 | |